Showing posts with label Timothy Spall. Show all posts
Showing posts with label Timothy Spall. Show all posts

Sunday, 6 February 2011

The Damned United


In 1967 Brian Clough (Michael Sheen) was the manager of Derby County when they were drawn against Leeds United in the FA Cup. At the time, Leeds were enjoying a very successful run under their manager Don Revie (Colm Meaney) and were at the top of the first division (back when it was the top division in England). However, they were not an attractive team to watch. They had the reputation of being hard men and would regularly kick teams off the park.

So when Leeds visit bottom-of-the-second-division Derby, as well as being a lucrative tie, Brain Clough sees it as an opportunity to put his team "on the map", a validation of his managerial skills, and to befriend the great Don Revie. Leeds beat Derby in a very dirty cup game, then when Don Revie doesn't shake Brian's hand, and doesn't stay to have a drink, Brian loses all respect for Don and becomes quite hostile towards him.

Over the next season or two, Brian, along with his insightful assistant Peter Taylor (Timothy Spall), signs a few key players (not always in agreement with the man holding the financial reigns of the club: chairman Sam Longson (Jim Broadbent)) and Derby begin their rise to the top of the second division, eventually winning promotion to the first division. Brian still focusses on his feud with Don Revie, and now they can play them as "equals" in the first division. Initially the first division is hard going, many games are lost (particularly to Leeds), but against all odds, Derby win their first league championship in 1972.

Just when everything seems to be going so well, Brian gets a bit over-confident with how important he is to the club and threatens the resignation of not just himself but his assistant Peter Taylor as well, if they are not granted more secure positions. The board of directors call his bluff and let them both go. Both are shocked, but after a brief campaign by the players who don't want them to leave, a replacement is found, and Brian and Peter are on their way out of the Derby door. To Brighton! Brighton and Hove Albion agree to pay the fees that Brian and Peter are wanting, as well as paying for a holiday for both of their families in Mallorca.

It is while on this holiday that Brian is approached to take over as manager of Leeds Utd, as Don Revie has just been chosen as the new England manager. This is too good an opportunity for Brian, but Peter won't go with him, he feels he now has a commitment to Brighton. Brian has a bit of a tantrum and shouts at Peter telling him he would be nothing without him, and he leaves to go to Leeds alone.

Right from the start Brian irritates the Leeds players by telling them they can forget everything they have won because in his eyes they haven't won them fairly! Things go from bad to worse, as Leeds lose game after game, until after only forty days or so Brian is sacked, but not before he wangles a large severance deal. Brian is wracked with guilt about how he behaved to Peter, so he drives down to Brighton to apologise.

The film essentially ends there, but the epilogue tells us that Brian and Peter join together again to manage Nottingham Forest, who they also transform from lower-league club to first division champions and a two-time European Cup-winning club. We also find out that Don Revie was not a terribly successful England manager, and went to manage in the Middle East, where he was involved in financial scandals.

Phew! What a synopsis. I guess it is a bit complicated, to explain, not to understand. The film is hugely enjoyable (even my wife was getting into the film after only 10 min, and she doesn't really like football). Michael Sheen is as good as ever, getting across the charisma and sheer bloody-mindedness of Brian Clough, as well as being able to portray the more human side of him. Though Peter Taylor is a lesser role than that of Brian, Timothy Spall performs it in such a way that he is seen as being just as important as his more dominating colleague.

The football itself is kept to a minimum, often the scores of a games are shown at the bottom of the screen just after the team has run out onto the pitch. If on-the-pitch action is shown it is often to demonstrate how "physical" Leeds were as a team under Don Revie, blending historical footage of games (Billy Bremner punching Kevin Keegan) with some acted scenes that look no less real.

See time = 2:50 in this video for some quality Billy Bremner tackling!



Director Tom Hooper shows with this film the talent that serves him so well in The King's Speech. He demonstrates that he can deliver great drama with real passion, humanity and humour. I also think that the cinematography in The Damned United was Damned good. It may only have been a film about football, but some of the shots were framed beautifully. Cinematographer Ben Smithard is big fan of big skies in this film; Brian and Peter's argument in Mallorca takes place under a huge azure Mediterranean sky; some shots of football are taken from down by the players legs and pointed up at the sky, making the players seem like giants; and the final shot of the film as Brian and Peter head indoors from Peter's front garden in Brighton is framed so that the characters are dwarfed at the bottom of the shot by Brighton beach-front sky. This all gives the film a brilliant wide-open space feel to it, adding to the atmosphere.



Overall, I though it was a great film; but I also think it is very enjoyable even if you don't like football, so don't be put off it that's the case.

Saturday, 22 January 2011

The King's Speech

On the face of it, a film about a guy with a stammer and his struggle to overcome said speech defect so that he can speak in public, doesn't sound like it would particularly get bums on seats. But make the guy Prince Albert of York (soon to be King George VI), get Colin Firth to play him, and fill the role of the elocution teacher with the excellent Geoffrey Rush; then play the film against the backdrop of George V's death, the abdication of Edward VIII and imminent war with Germany in 1939 and the result is a great film full of many dramatic and funny moments.

Essentially; Prince Albert has suffered from a stammer from a young age, but now that he is expected to make public appearances and speeches, his difficulty in speaking is quite a hindrance. Having seen many speech therapists his wife Elizabeth (played by Helena Bonham Carter, who is also excellent) finds a therapist with some unorthodox methods. This therapist Lionel Logue (Rush), finds it hard to get to know "Bertie", but following the death of his father George V, he starts to open up to Lionel.

With the Death of George V, Bertie's brother Edward (Guy Pearce) becomes King, but his desire to marry a twice-divorced woman (not favourable in the eyes of The Establishment) results in his abdication of the throne. Bertie is therefore crowned King, not as Albert (considered to Germanic to be appropriate in 1936) but as George VI.

The new King struggles to find confidence to speak at his coronation, but doesn't have to say very much anyway. His big moment comes when he is to be broadcast live to the country and all the colonies following the outbreak of World War 2. This is the climax of the film, and of course he gets through the speech without stammering, but also not without dramatic pauses as he struggles for control.

I really did enjoy this film. The cast is superb. Colin Firth does deserve his Golden Globe, but I think Geoffrey Rush is at least as good as Firth. Helena Bonham Carter is also great (quite a departure for her, not being in a Tim Burton film!). She really seems to wear the trousers in the first part of the film where Bertie comes across as being a bit self pitying. Derek Jacobi puts in a solid performance as Archbishop Cosmo Lang, but is only ever a minor character. And I must not forget Timothy Spall as Winston Churchill, with surely an award-winning scowl if ever there was one!



I feel the cinematography is worth a comment. The overall palette of the film was very mute, even in some of the very opulent rooms inevitable in a film about Royals. I'm not sure if this was to reflect Bertie's overall mood as he is constantly struggling against his speech impediment; or rather to reflect the mood of the time leading up to war with Hitler. Or maybe neither and I haven't a clue what I'm talking about.

There were also a noticeable number of scenes (particularly if characters were sitting down) which were framed so that their heads mostly occupied the lower middle and left part of the screen. This left a lot of wall in the background which was made far more obvious. And I really can't think of a reason why some scenes would be shot like this. Maybe this is just me being weird, or perhaps I need my eyes corrected! But did anyone else notice this? Danny Cohen does have a BAFTA nomination for this work, so maybe no-one else did notice it!

Despite my potential weirdness I thought the film was excellent. Fantastic that us Brits can make a film about something so quintessentially British, and do it bloody well! What ho!