In-Flight Movies (2014)

I was very fortunate to be able to go to New Orleans for a conference last month.  It took three flights to get there, but as one of them was transatlantic, I got the rare opportunity to watch several films.  Now, back in 2011 I had been very impressed with the choice of in-flight movies that KLM had to offer.  We flew KLM on our return journey, and though the choice was good, I was staggered (really staggered, it was incredible) by the choice that Delta had on the way out to the US.  I could have watched Gravity, or Desolation of Smaug, or Walter Mitty, or Thor: The Dark World!  I think there were literally hundreds.  But I decided on some of the lesser yet still incredible films.  But if this flight was anything to go by, I always want to fly Delta to the States.

Chronicle (2012)

Chronicle is not like other superhero movies; actually I don't think the characters are superheroes at all, rather they have superpowers.  After the discovery of some weird alien crystals, 3 friends soon find, after blacking out, that they have mysterious powers (think Force pull/push).  Naturally the first thought is not to use these powers to benefit mankind, but to do what any teenage boy would in this situation: abuse it for their own entertainment!  This is where the film is strongest, and certainly the most entertaining; perhaps it's because I'm a bloke but I could completely relate (I think empathise is too strong) to the sense of awe and excitement that the 3 main characters feel.  By the climax of the film this sense of wonder has been replaced by a requirement for the film to actually go somewhere, which (like Angry Birds, is hilariously fun initially but becomes a bore as you try to get maximum points) isn't so interesting.  But I can understand why.  The main 3 lads are fine, as I say, as I was able to relate to them; anyone else was really incidental.  The special effects are all great, very understated in a Monsters kind of way, used to bring the story to life and concentrate on the characters rather than overwhelm it with CG.  Chronicle doesn't do anything spectacular, but it's very cool, great fun and entertaining nonetheless.

Oblivion (2013)

Oblivion is one of the many films I wanted to see last year, but I just didn’t get the chance.  I’d heard mixed responses to the film so I was keen to take a gander myself.  Tom is usually good to watch, and Oblivion is no different.  Morgan Freeman is the other big name, but I felt he was mostly wasted, rather like in Wanted.  Andrea Riseborough is good as Victoria, the soulless robotic woman who is Tom’s partner, and Nikolaj Coster-Waldau (Jamie Lannister) is fine as Morgan Freeman’s head of security without really being able to excel as he does in GOT.  The design was terrific and the effects were top notch, though overall I thought the film was missing something.  All the best Sci-Fi has something to say about human nature, and I'm just not sure what this was saying.  Maybe it's because it borrowed from some of the best Sci-Fi: there were definite strains of Planet of the Apes, Moon, Logan's Run and perhaps even Silent Running; the result is quite a mish mash of themes.  A very enjoyable film (with an excellent soundtrack), just lacking that little bit extra to make it a really good film.

The World's End (2013)

Shaun of the Dead and Hot Fuzz are two fabulous movies from the minds of Edgar Wright and Simon Pegg, the so-called blood and ice-cream movies.  Now along comes The World’s End to complete the Cornetto Trilogy.  With possibly the most star-studded cast of the trilogy (featuring Martin Freeman, Rosamund Pike, David Bradley, Paddy Considine, Eddie Marsan and Pierce Brosnan among others) the movie remains true to Wright’s roots and is quintessentially British.  Simon Pegg’s character is the driving force of the movie but the interaction between the whole group of friends is excellent, though this estimable ensemble results in the usually brilliant relationship between Pegg and Nick Frost being diluted a little bit.  The truth about the residents of Newton Haven doesn’t sit quite as naturally as a plague of zombies or an extreme neighbourhood watch; but once, introduced the idea works well, and certainly won’t get in the way of Pegg’s character finishing that pub crawl.  Perhaps not as incessantly clever, inventive and relentlessly funny as it’s predecessors, The World’s End is still tremendous fun and of course features ice-cream, falling over fences and a pub brawl.

12 Years a Slave (2013)

Perhaps not fully appreciated on a small screen set in the back of the chair in front, but it was still possible to appreciate the horror that plantation slaves had to endure daily.  This abhorrent episode in human history is captured not only in some horrible scenes of trading the human cargo but also by a couple of stand-out gruesome torture scenes.  Steve McQueen lets the camera linger on one of these moments, prolonging the agony while the audience is desperate for it to stop.  The opposite is true for the other awful scene as the camera is whipped around between victims and perpetrators, echoing both Chiwetel Ejiofor’s state of mind as well as the torture itself.  Surrounding the excellent Ejiofor is tremendous support including Michael Fassbender, Paul Dano, Paul Giamatti, Benedict Cumberbatch and Lupita Nyong’o (Academy Award for Best Supporting Actress).  A lot happens for a film just over two hours long, but it never feels rushed, which is a testament to both the screenplay and the direction.  An excellent and important film which I must revisit on a screen worthy of its power.


But, well, you know, that’s just, like, er, my opinion, man.

Snow White and the Huntsman (2012)

For his directorial début Rupert Sanders delivers a very dark take on the classic Snow White story. Though there is little in common with most Snow White stories, it does hit specific plot points; wicked witch (Ravenna, Charlize Theron), poisoned apple, and dwarves. Initially imprisoned by Ravenna, Snow White (Kristen Stewart) escapes, then with the help of the Huntsman (Chris Hemsworth) makes her way to her Uncle's castle, whereupon she returns with an army to overthrow Ravenna's cruel rule.

First of all I must say that the film looks fantastic. The costumes are all fantastic, down to the little details on Ravenna's dresses; there are many beautiful exterior locations giving the film a real epic feel; and some of the visual effects were amazing. In particular the dark army at the beginning of the movie is brilliantly realised, the way Ravenna exploded into Ravens is great, a cool troll, and the dwarves were amazing.

Where the film falls flat is in some of the cast, namely Kristen Stewart; she just doesn't have the charisma to pull off a main role like this. She is wooden and just looks uncomfortable for most of the film, not least when she gives her morale-rousing speech for the army - Theoden this is not! Actually half way through the film I found myself thinking "Has she actually really said very much?" Charlize Theron is a good actress, and her Ravenna is good; though having seen Eva Green's performance as Morgan in Camelot, I thought that she would have been a much better Ravenna. The other main character is Chris Hemsworth as the Huntsman, and thank goodness for him; he is the one character we really care about. His Huntsman is gritty, initially of questionable loyalty, and has great wilderness survival skills; so Aragorn basically. To continue the LOTR theme, I noticed that Snow White seemed to have the Tree of Gondor on her shield! The supporting cast are fine, including Sam Spruell as Ravenna's brother Finn and Vincent Regan as Snow White's Uncle, Duke Hammond. The Dwarves are also good, the likes of Ian McShane, Bob Hoskins, Ray Winstone and Nick Frost having their faces digitally imposed onto small actors.

An entertaining romp that looks amazing, and far enough removed from the classic fairy tale for miserable uncultured people like me to enjoy it. Going for it are some sumptuous visuals, a tremendous scale of production and a rousing score by James Newton Howard; against it are a few below par performances, especially from Kristen Stewart who just isn't right for this kind of role.

The Adventures of Tintin, The Secret of the Unicorn (2011)

When Tintin buys a toy ship (The Unicorn) at a market, he soon discovers that he has stumbled into a mystery that traces back hundreds of years. The original Unicorn was deliberately destroyed by its captain, rather than let pirates capture the extraordinary amount of gold that he was transporting. The pirate captain was known as Red Rackham, and now his descendant, Ivanovich Sakharine (Daniel Craig), is trying to solve the riddle of the Unicorn to finally recover the lost treasure. However, Tintin (Jamie Bell), and his faithful dog Snowy, become acquainted with Captain Haddock (Andy Serkis), who just happens to the last descendant Sir Francis Haddock, captain of the Unicorn, and together try to stop Sakharine from recovering the lost treasure.

I have never read any of the Tintin stories before, but that didn’t stop me absolutely loving the film. I thought that it was pure Spielberg, and put me very much in mind of Raiders. Perhaps the plot wasn’t as crazy as Indy, but some of the action sequences, particularly that involving a motorbike, a tank and a falcon were absolutely outrageous; and I just sat that with a big grin on my face, loving every minute of it!

Of course essentially being a cartoon, there were several editing devices that were possible that wouldn’t be in live action (yet - based on this I’ll be interested to see how PJ interprets The Hobbit), including several inspired transitions between scenes/flashbacks etc. Of course great animation doesn’t make a good film, but it was phenomenal; lip syncing, and details around the eyes and hands was all tremendous. What does make a good film is a plot with excitement and intrigue, but without being completely ridiculous, and great characters. Clearly we should thank Hergé for the great characters, and the story; but the combined efforts of Edgar Wright, Joe Cornish and Steven Moffat should not be forgotten. I had feared that too many great cooks may spoil the broth, but that fear was unfounded; the scenes progressed naturally and nothing seemed contrived; well perhaps except for the mention of the Sumatran rat (monkey), which PJ manages to shoehorn in whenever he can. The voice cast are all perfect too; Jamie Bell as Tintin works really well, Daniel Craig is spot on as the smooth Sakharine, and of course only Andy Serkis could be the inebriated and enthusiastic Captain Haddock. A supporting cast featuring Toby Jones, Mackenzie Crook, Simon Pegg and Nick Frost, all add to the scope of the film. Oh, and the 3D was fine, though I’d be interested to see it in 2D to see how much it really mattered.

Great adventure, amazing graphics, interesting story, the whole thing can really be summed up in two words: pure Spielberg! Now why wouldn’t you want to see that!

Attack The Block

A young woman is mugged by a group of hoodies. However, their world is shattered when an alien lands in a car right next to the mugging. Taking advantage of a now open car to try and nick the stereo, the leader, Moses, climbs in; but is scratched by the alien before it runs off. Taking offense at the assault, Moses gives chase and gives the alien a kicking! However, this alien seems to be a female (I guess) scout alien, and now several members of the hoodie gang (most of all Moses) are covered in alien scent. So when the really nasty male aliens land, they try to track down the female, killing everyone in their way and particularly those who smell like her.

A very enjoyable film with a novel twist on the alien invasion story (Outer Space vs Inner City!). It’s more thriller than horror; there are tense moments that make you jump and it’s not particularly gory. So I think that it was slightly mis-marketed; advertised as being "From the Producers of Shaun of the Dead", Attack the Block is definitely not a comedy. Sure there are a few funny moments in the trailer (adding to the Shaun of the Dead angle), but these are about the only funny bits in it. OK there are a few more, but not so many.

The Aliens are very cool. I don’t think that the budget was massive for this film, and instead of going for some over-the-top sci-fi creatures, the aliens are gorilla-esque, but completely matt black! There is no definition to them at all; when you see a dead one close up it’s like a hole in the screen! The only discernible feature is the teeth when the mouth is open! Very novel, very scary, very cool. The only bit that made me doubt them was a slow motion shot of several aliens chasing Moses down a corridor, and I couldn’t help but think of the old Kia-ora adverts as the crows lolloped along behind the kid with the Kia-ora!

The cast are good; John Boyega plays main character Moses very well; arrogant at the start of the film but rather more humble by the end. Nick Frost is fairly underused as Ron; a small-time marijuana dealer (but then it’s not that kind of film); and Luke Treadaway is good as the resident stoner. Jodie Whittaker is good as Sam, the poor girl at the sharp end of the mugging in the films opening scenes, but is actually a neighbour of the “hoodies” in the block. And therein lies perhaps the only problem with the film. As these hoodies are a gang whose entertainment is mugging people and generally being aggressive, it’s hard to empathise with them at all. Consequently when they are in danger I found myself not caring whether they died or not (though there is one character I definitely wanted to die; so I guess he was written well). 

Still, that is only a fairly minor niggle, and given that this is his first feature film, director Joe Cornish has made a damn fine alien thriller. Novel idea, cool aliens, some interesting camera work at times; funky film, and I think we can perhaps expect more of Mr Cornish in the future.