Showing posts with label Stellan Skarsgård. Show all posts
Showing posts with label Stellan Skarsgård. Show all posts

Wednesday, 4 January 2012

The Girl with the Dragon Tattoo (2011)



In true Hollywood style, as soon as a foreign film does well at the box office, a remake is scheduled so that the great unclean can watch a good story without having to expend any energy by reading subtitles. My initial reaction of “Oh FFS” was tempered when I heard that David Fincher was making the film, and I became intrigued upon hearing that Daniel Craig was to be playing Blomqvist. So it was that I eventually found myself looking forward to seeing the film when it was released.

The opening credits are tremendous. Very Bond-esque, there are lots of stylised tattoo-ink figures amongst other stuff, and the re-hashing of Led Zeppelin’s The Immigrant Song by Trent Reznor and Atticus Ross fits really well.



Following all that, there is a general re-run of the original version, but in English. Don’t get me wrong, it is a very good film and I did enjoy it. It’s just, well, was it really worth doing? Rooney Mara is very good as Lisbeth Salander, though she’s almost a bit too pretty to be really gritty; there was just something about her face. Though she had obviously lost a lot of weight for the role her face was still too round and pretty. She’s certainly no Noomi Rapace who was just perfect, and Mara isn’t quite so brutal (though she has a mean swing with a golf club). Daniel Craig is also very good. He is the one thing I think is an improvement over the original. In the books Blomqvist is described as being quite a ladies man; however Michael Nyqvist in the original, has a face like a bag of spanners! Daniel Craig is definitely a better fit for this description, though he did spend a lot of the film wearing his glasses under his chin!

So, while I did enjoy the film I felt is didn’t offer much more than the original Swedish version. It wasn’t really a re-imagining, more a copy. The ending was changed slightly (if I remember correctly), but it’s of little significance. There is also quite an extended epilogue, I think spelling out what was more implied in the original; so those people who thought that Lord of the Rings had too many endings may be bored by this point. I didn’t think there were enough endings in LOTR so didn’t mind the epilogue. Overall it is a very good film, though perhaps redundant. If it ain't broke, don’t fix it.

Thursday, 5 May 2011

Great Odin's Raven! It's Thor


On the face of it, the premise of the God of Thunder fighting some Frost Giants, falling to Earth, falling for Natalie Portman, destroying some enormous robot thing and becoming an ally of humans is rather silly. Then you remember this is a MARVEL comic book, suspend all disbelief and really rather enjoy the film!

King Odin rules the Æsir in their city/world of Asgard. Many years ago there was a war between the Æsir and the Frost Giants, which spilled on to Earth where both were regarded as gods. When the Æsir finally won, the Frost Giants were defeated on their home world and Odin took the source of their power; this was kept secure in Asgard.

Years later, now Odin’s sons Thor and Loki are grown up, there is an attempt by the Frost Giants to reclaim the source of their power (a mysterious blue-glowy box). Thor (who was about to be crowned king) sees this breach of palace security as an act of war by the Frost Giants, and flies off to Frost-world to confront them, thus re-igniting an old war. On his return to Asgard, Odin punishes Thor’s hot-headedness by banishing him to Earth. He also separates Thor from his hammer, Mjölnir, until he is worthy to wield it once again.


If you’re confused by this plot synopsis, then imagine how difficult it must have been to interpret this onto film. I think that the writers do a very good job in condensing a lot of exposition from Stan Lee’s comics into a reasonably coherent introduction to the universe of Thor, Asgard, and Frost Giants. Kenneth Branagh also does very well with what can be considered his first real blockbuster. The realisation of Asgard and Frost World (don’t know it’s real name) are truly epic and stunning: Asgard is very golden, with a lot of greenery and waterways, Frost World is very stark and barren, but no less grand. Branagh’s direction also shines through in the script, as some of the lines are very pseudo-shakespearean; (he also seems to like filming at jaunty angles every now and again).

                                                             Asgard is stunning

Arguably the film really gets going upon Thor’s arrival on Earth as he is thrust into unfamiliar situations; “How dare you threaten the son of Odin!”. Obviously Chris Hemsworth was cast as Thor for his physique and Norse-ishness, but he manages to breathe enough life into his character so that he isn’t just a muscle-bound warrior, there is a little more depth to him. Natalie Portman is good enough as the love interest (particle physicist Jane Foster); though the romance between Thor and Jane is fairly shallow, and Portman doesn’t have the opportunity to shine as she does in Black Swan. Stellan Skarsgård adds a bit more history to the Earth story, and intrigue (if you wait all the way to the end of the credits). Odin is a character that Anthony Hopkins really got to grips with, he was wise, kingly, forceful and looked like he really enjoyed himself (plus he got to wear a gold eye-patch; Emilio Largo would be jealous!).


I thought the film was very enjoyable. I wasn’t expecting an amazing story, or in-depth character acting. I was looking forward to a cool cinematic experience with grand settings, a guy with a big hammer and some SHIELD intrigue; and that’s exactly what I got. But then I could have said that about Iron Man 2, and that was slightly disappointing. Thor is back to the entertainment quality of the first Iron Man or Spider-man. I saw it in glorious 2-D, and at several points I found myself thinking “What advantage would 3-D offer over this?” But that’s an argument for another day.